Home
- A Note from the Collector, 2005
- A Note from the Collector, 2020
- W.S. Gilbert
- Arthur Sullivan
- The Productions: Thespis and Trial by Jury
- The Productions: The Sorcerer
- The Productions: H.M.S. Pinafore
- The Productions: Pirates of Penzance
- The Productions: Patience
- The Productions: Iolanthe
- The Productions: Princess Ida
- The Productions: Mikado in London
- The Productions: Mikado in America
- The Productions: Ruddigore
- The Productions: Yeoman of the Guard
- The Productions: Gondoliers, Utopia Limited, and the Grand Duke
- Dance Arrangements with Illustrated Covers
- The Operas in the Popular Press
- Gilbert and Sullivan in Films
- Gilbert and Sullivan in American Advertising
- Gilbert and Sullivan in American Advertising: Mikado
- "Merely Corroborative Detail..."
- An Appreciation, 2005
- About the Digital Exhibit, Then and Now
The Productions: Mikado in America
American managers quickly recognized the potential of The Mikado, and Sydney Rosenfeld was first to produce it (in Chicago). Meanwhile, Carte wasted little time, and for his New York production of The Mikado, he negotiated with two managers, John Stetson of the Fifth Avenue Theatre and James Duff of the Standard Theatre. When Carte signed a deal with Stetson, Duff prepared to stage his own production before Carte’s. Carte secretly took steps to thwart Duff’s plan, and was able to open his New York production at the Fifth Avenue Theatre in advance of Duff’s. Carte’s production had an excellent English cast, and the success of the piece spawned an unusually large number of touring companies that spread The Mikado all over America.
Carte organized several touring companies himself. Evidence of the opera’s tremendous popularity include theatrical burlesques and political parodies, and the ubiquity of Mikado-related advertising and consumer merchandising. The Mikado continued as a theatrical staple well into the next decade.

[Political parody]. The Albany 1686-1886. Bicentennial number, July 22, 1886. "The Mikado of Albany."

W. S. Gilbert. The Mikado. [Chicago]: N.p., 1885. The earliest American libretto, printed for Sydney Rosenfeld’s production.

[Program]. New York: Standard Theatre, week ending Oct. 31 [1885]. The Mikado.
J.C. Duff’s production that competed with D’Oyly Carte’s original New York Mikado.

[Playset for The Mikado]. Boston: Supplement to The Sunday Herald, Mar. 1, 1896.
A juvenile theatre playset with scenery, principal characters and chorus printed in colors on one sheet of heavy stock.

[Souvenir sachet satin book mark]. A souvenir of John Stetson's spectacular production of The Mikado at the Metropolitan Opera House, New York in April 1886.
Central padded multicolored panel with engraving of the "Three Little Maids From School." The souvenir was presented to ladies purchasing the most expensive seats.