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- A Note from the Collector, 2005
- A Note from the Collector, 2020
- W.S. Gilbert
- Arthur Sullivan
- The Productions: Thespis and Trial by Jury
- The Productions: The Sorcerer
- The Productions: H.M.S. Pinafore
- The Productions: Pirates of Penzance
- The Productions: Patience
- The Productions: Iolanthe
- The Productions: Princess Ida
- The Productions: Mikado in London
- The Productions: Mikado in America
- The Productions: Ruddigore
- The Productions: Yeoman of the Guard
- The Productions: Gondoliers, Utopia Limited, and the Grand Duke
- Dance Arrangements with Illustrated Covers
- The Operas in the Popular Press
- Gilbert and Sullivan in Films
- Gilbert and Sullivan in American Advertising
- Gilbert and Sullivan in American Advertising: Mikado
- "Merely Corroborative Detail..."
- An Appreciation, 2005
- About the Digital Exhibit, Then and Now
W.S. Gilbert
W. S. Gilbert (1836-1911) began his career as a civil servant and later was a barrister at law before he became known as a writer and artist for the humor magazine Fun and other periodicals. His Bab Ballads, published in Fun between 1866 and 1871, were widely read, and provided a core of ideas to which he would repeatedly return for use in his operas with Sullivan. During the 1870s, Gilbert's writing for the theatre enjoyed immense success; indeed, he was the preeminent British playwright of that decade, with extravaganzas, fairy comedies, farces and serious dramas to his credit. These works are for the most part forgotten, but his collaboration with Arthur Sullivan resulted in a series of comic operas that have never lost favor and have provided a basis for the modern musical theatre.

Fun. Volume 7 (New Series). London: ["Fun" Office], May 16,1868. Open to Gilbert’s Bab Ballad, "The Story of Prince Agib."

[Souvenir Program.] London: Lyceum Theatre, Feb. 12, 1884. Silk program with sewn-on fringe. Revival of Pygmalion and Galatea followed by the original production of Comedy and Tragedy.

W. S. Gilbert. Pygmalion and Galatea. London: Judd & Co., 1872. First edition.
“Printed for Private Circulation Only.” Presentation copy, inscribed twice by Gilbert to James Clay Esq. M.P., both on front wrapper and title page.
James Clay was a member of Parliament and the father of Frederic Clay, another composer with whom Gilbert collaborated.
After his last opera with Sullivan, Gilbert collaborated with other composers, but never with the same inspired results. He retired to his country mansion with his wife, writing an occasional play and rewriting H.M.S. Pinafore and The Mikado as children’s stories.
He was knighted in 1907, the first British dramatist to be so honored for authorship alone. At 74, still active, he died while attempting to save a young woman from drowning in the lake on his estate.

W. S. Gilbert. Autograph letter, signed. To Messrs. Dalziel. 8 Essex Villas, August 12, 1870. Two pages, small 8vo.
Gilbert requests supplies after receiving a commission to illustrate a tale, Madame Fortunio, for the publisher, [Alexander] Strahan. Madame Fortunio was probably never published.